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CROSS Sync

Music ready for the room.

CROSS Sync is just starting. We are reviewing a small number of submissions before deciding what a licensing catalog for film, TV, advertising, games, and creator content becomes. There is no catalog, no buyers, and no placements yet, so send music only if an early, unhurried review suits you. The library is non-exclusive: nothing you send here stops you licensing it elsewhere.

How intake works

  1. 01

    Send your strongest 1–5

    A focused batch gives us enough context to understand your sound without asking you to upload an entire catalog.

  2. 02

    Non-exclusive

    You keep your masters and publishing, and you stay free to license the same songs anywhere else.

  3. 03

    We check clearance

    Every track stays unreviewed until ownership, samples, approvals, and splits make sense.

  4. 04

    Nothing is pitched without your say

    There are no placements or buyers yet. If that changes and your music fits, we ask you before anything is pitched. This form grants no representation authority.

Catalog intake

A small batch, not a catalog dump.

Submit up to five tracks. We read every submission and reply by email. If there is a fit, we may ask for more after the first review.

01 · Contact

02 · Music

Send 1–5 of your strongest sync-ready tracks.

Start with the songs you most want pitched. Genre, mood, and BPM are how a music supervisor finds a song, so a few words each goes a long way.

Track 1

Track 1

Streaming, SoundCloud, Dropbox, or Drive — private links are fine.

03 · Rights + clearance

Non-exclusive. The CROSS Sync library is non-exclusive: you keep ownership of your masters and publishing, and you stay free to license these songs yourself or through other non-exclusive libraries.

Answer for the batch as a whole. If one track is different, tick “Rights differ for this track” on it above; anything else goes in Notes.

04 · Distribution

05 · Submit